The focus will always be organic movement, fit to the the abilities of all performers: destigmatizing dance as something only ‘trained dancers’ can do.

Much like choreography, but more based on devising and focusing on pedestrian movement and the shape of the play/piece as a whole.

Using IDC’s C.R.I.S.P. (formerly known as F.R.I.E.S.) framework when approaching consent: Considered, Reversible, Informed, Specific, and Participatory. Source materials available upon booking.

Fundamentals of composition: What is choreography? How do we devise movement? How can we be generative without falling into constrictive dance vocabulary? Every body has its own unique language.